String Theory Part 1 - Triads
Group guitar class taught by Molly Miller
4 lessons · 1 hour per week · intermediate
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$35 / lesson
Understanding the fretboard can be overwhelming. It is a web that is not easy to navigate. In this class we will use triads to view the neck and then apply this knowledge to make music - comping, soloing, and chord melodies. Join me in this weekly class to start unlocking the fretboard.
What's included
4.95 · 559 students · 134 lessons
Molly's highlights
Triads Part 1
Triads Part 1
- Seeing the fretboard - Major and Minor triads on the first string set - Connect the shapes to knowledge you already know
Application Part 1- Comping Using Triads
Application Part 1- Comping Using Triads
- Use major and minor triads to play rhythm guitar - Expand your playing from just barre chords and open chords - These can be used in many genres- they are not just for pop, soul, or funk- but for every genre
Chord Melodies
Chord Melodies
- Use triads to play melodies - This is a great way to see how you can solo as well using triads - This is also a great place to get a grasp on chord melodies with more advanced voicings
Connecting Chords
Connecting Chords
- Let's stop jumping around the guitar neck and instead move using voice leading - Play chords more musically - We should be able to play any chord without jumping around the guitar
Scott E.
Good progression of material. Very motivating!
Dan R.
Great course, great instructor, great price.
Steve S.
Great content! Molly is the best, interactive and informative. Highly recommend!! Steve Scott
Tom C.
Molly is a great teacher. Relaxed and knowledgeable. Love this class so far!
C.R. M.
Exactly what I was looking for. Learning triads and inversions all over the neck, and then working with them in songs and progressions skyrocketed my fret-board knowledge.
Bob C.
I got a ton of useful perspective on playing tunes for solo guitar. Molly Miller will take you through chord voicing options and fingering choices, but more importantly, teach you what to listen for and how to truly prioritize the melody in your arrangements. Great stuff.
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